As usual, Kirby manipulates various interwar records to fit a cavalcade of emotional states: blissful (B1, E8), tragic (D2, D5), frantic (E1, E6), and just plain horrifying (F3, G1, H1, K1). gjoe52
I remember first hearing Decay2, years ago, sitting at a desktop with headphones. The song began, all those screeches, like a chorus of hellish bats. It led into Attila’s throaty, rasping intonations. Brian Parker
«Soudain l'homme se réveille
au milieu de la nuit
il est saisi par le malaise
et écoute malgré lui
le silencieux vacarme de l'angoisse
le bruit qui ne fait pas de bruit
le silence qui hurle à la mort
dans le grand coquillage de la nuit (...)»
(Jacques Prévert, Soudain le bruit) Ol64
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024